iTunes songwriter of the year Royal Wood played at Starlight last week during the second month of a tour promoting his new record The Waiting.
Wood primarily performs in larger theatres these days due to his recent successes, so it was a rare pleasure to see the artist play a small club venue.
Toronto based singer-songwriter Emma Lee opened the show with her beautiful folky jazz melodies, stunning voice and lyrics that dig deep into the crux of the unembellished life.
Wood played with a full band, combining storytelling and rock โnโ roll with honest lyrics and a lot of noise.
For a portion of the evening, he reverted to a more intimate style, playing only his guitar backed by a double bass โ a reflection of Royalโs past performances.
The show was well attended, with many seatless fans standing attentively for the entire performance as Wood moved from piano to guitar and back again.
Woodโs songs were interspersed with his wry sense of humor that reflected his eight years in the business.
The audience was an involved one, laughing at his banter and clapping along to the rhythm section during โOn Top of Your Love.โ
The audience sang along unreservedly to the heart-melting ballad โLady in Whiteโ and gathered in droves to purchase CDs after Royal Woodโs incredible encore performance.
A number of changes have come around for Wood with the release of his newest record, which he claims is โprobably the most personal and introspectiveโ record he has made so far.
Anyone familiar with Royal Woodโs musical career, which really got rolling in 2004 with the release of his first full-length album Tall Tales, knows how devoted an artist he is. Until his most recent record, Wood had not only produced all of his records on his own but also played most of the instruments on them.
Feeling it was time to step outside his comfort zone, he decided to enlist the help of a talented group of musicians, as well as producer Pierre Marshall (who worked extensively with Sarah McLaughlin).
โHaving other peopleโs opinions, my band coming in and playing instead of me playing everything was strange territory,โ Wood told The Cord..โI donโt regret any of those decisions. I think this is my best record.โ
Speaking with regards to the critical acclaim and awards that Wood has achieved, he claims, โIt canโt change you. If you start believing the reviews you read then youโre screwed.
The only reason I started making music in the first place is the same reason I started when I was a little kid, it brings me joy. Itโs what I always wanted to do. I didnโt want to be on the cover of the Rolling Stone, I just wanted to make music.โ
Inspiring words in a time where musical success is too often characterized by money and appearance.
Royal Wood will be carrying out the remainder of his three-month tour with award winning indie-pop artist Hannah Georgas until Nov. 26, where he will wrap up The Waiting tour at Torontoโs Queen Elizabeth Theatre.