Breaking into the music business as a successful musician is easily one of the hardest things one can aspire toโit is a road filled with rejection, self-doubt and eating a lot of Ramen noodles.
Thankfully Cory Crossman, founder of KOI Con, an independent conference hosted in Kitchener, Ontario, and co-founder of KOI Fest, is here to help. โInitially [my brother Curt and I] started the Koi Music Festival four years ago. Weโd been promoting concerts for a while under ARC clothing โฆ and we got tired of people talking about [Kitchener] being good so we decided to do something about it,โ Crossman recalled. โ[We realized that] itโs great to have people watch bands and coming out to shows but thereโs more to it โฆ How do we go about educating these bandsย and show them how to make a sustainable career in the industry? Itโs not just about the musician, itโs about the industry.โ
The first annual KOI Con is a day-long conference focusing on how to successfully break into the music industry. The day began with a key-note speech from self-proclaimed music geek Alan Cross, who broke down the ten rules to survive the music industry. Notable rules included โjust because you make music doesnโt mean you deserve to be heardโ and โyouโre not going to make a lot of money selling music.โ
Similarly, Cross made sure to remind musicians that entering the music industry was not going to be a simple task. โThis isnโt Tim Hortonโs soccer,โ Cross warned the audience. โIt is cutthroat. There are winners and losers.โ
As the day continued, panels featuring industry insiders such as Bob Egan, of the bands Blue Rodeo and Wilco and Scott Honsberger, executive director from MusicOntario, focused on a variety of topics from โLive Performanceโ to โThe Business of Music.โ On top of this, attendees had the opportunity to sign up to sit down with some of the panelists to receive personalized advice from the people who know the music industry firsthand. The day then concluded with an award ceremony and, as a teaser for KOI Fest in mid-September, over 30 bands played in various venues in Kitchener.
Despite only being the first year in existence, KOI Con ran smoothly. The panels were generally informative though two panels would run at one time, forcing attendees to choose what panel they felt was more relevant to their situation. Though the main focus of KOI Con was to help musicians find their way, there was a secondary focus: the marriage of the music and tech industries. โOne really important thing we wanted to get from this was that the tech community was very similar to the music community, the independent music community more specifically,โ Crossman began. โStart-ups go through a lot of the same issues that bands have starting out though โฆ the tech community is looking to the music community for a bit of support.โ Crossman made sure to bring support for the tech community by inviting various tech companies to sit on panels and attend the conference.
With its first year a success, Crossman has plans to expand KOI Con into a longer conference that focuses on not only musicians, but developing the skillset of people who want to get into managing the musicians, stage lighting and more. This yearโs KOI Con was just the beginning.
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